{"title":"Books","description":"","products":[{"product_id":"p547_lockenkopf_fanine_ausgabe_3","title":"Curly Head #3","description":"\u003cp\u003eYes, the new \"Lockenkopf\" has seen the light of day. This time, Skinlander (Indonesia), Mike Crucified (Only Attitude Counts), Stalinstadt Ensemble, and tattoo artist Mirko from Eisenhüttenstadt have their say. Many columns and jokes are included. I've been told that \"Lockenkopf\" made people start reading in the first place. So there must be something to this product!\u003c\/p\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633912123724,"sku":"547","price":2.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/lockenkopf3.jpg?v=1788177229"},{"product_id":"p961_lockenkopf_fanine_ausgabe_4","title":"Curly Head #4","description":"It took a year until the new fanzine finally saw the light of day. This time twice as thick and twice as big as before. Interviews with Agnostic Front, Volxsturm, Stomper 98, Combat 77 speak volumes. Band stories about The Undertones \u0026 The Jam, as well as travel reports, the South Brandenburg club \"guide\", EFC Stahl, and much, much more await you in the new issue...","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633912582476,"sku":"961","price":3.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/lockenkopf-4.jpg?v=1788177234"},{"product_id":"p1454_lockenkopf_fanine_ausgabe_5","title":"Curly Head #5","description":"\u003cp\u003eAfter a year and 23 days, the 5th issue of Lockenkopf is now available. The 64 pages include: Torsten (Moloko Plus), Springtoifel, Crusaders, Lost Boys Army, Last Resort, Halbstarke Jungs, Timmy Derb, Barfight, Declive Ink, Contra and more.\u003c\/p\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633917825356,"sku":"1454","price":2.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/lockenkopf-5.jpg?v=1788177265"},{"product_id":"p1848_lockenkopf_fanine_ausgabe_6","title":"Curly Head #6","description":"Another year gone by? Yeah man, it's about time!!!! \u003cp\u003e\u003c\/p\u003eNow there's finally a new Lockenkopf again, and it's packed with interviews, columns, concert reports, reviews, etc., across 60 pages. Featuring: Bomml (Oi! the Print), Oi! the Nische Records, Hannen Alks, Lousy, Lord James, Szene Polen, Rejects of Society, Valkyrians, Tattoo-Stahmer, and much, much more...","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633922642252,"sku":"1848","price":2.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/lockenkopf6.jpg?v=1788177292"},{"product_id":"p1983","title":"Hi! the Nische Photozine","description":"\u003cp\u003eWell-designed zine with lots of photos from the 10th Oi! the Nische Party. Those who were there should get it as a souvenir, and those who weren't should get it to see what an awesome event they missed!\u003c\/p\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633924641100,"sku":"1983","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/otn-fotozine.jpg?v=1788177306"},{"product_id":"p3027_teenage_kicks_ein_skinhead_roman_von_thorsten_dietze_buch","title":"Teenage Kicks - A Skinhead Novel by Thorsten Dietze (Book)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\u003cspan\u003eA Skinhead Novel - Straightforward, authentic, and 100% Way of life!!!! When he first saw the closely shaven boys at 13, he knew he wanted to be like them. But it took two years until he could lace up his 10-hole boots for the first time, not knowing what that would mean for his future. In a time when hip-hop is the popular music, 15-year-old Tony decides to be a skinhead and has his first experiences with violence, girls, and alcohol. As if that weren't enough for a teenager, it seems as if his family is slowly falling apart. His parents argue more and more often, his father hates him for his new haircut, and what role does Rocco, Tony's paternal friend, actually play...? Paperback with over 200 pages of reading pleasure!\u003c\/span\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Sunnybastards","offers":[{"title":"Default Title","offer_id":58633953706316,"sku":"3027","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_teenage_kicks_buch_20160620135458.jpg?v=1788177470"},{"product_id":"p3299","title":"Mind Watch - Book (by Brian Deatt)","description":"Content:\u003cbr\u003eGermany in the 22nd century: Under the pretext of protecting the population from diseases and crimes, the government has a microchip implanted in the brains of its citizens, whose activities are coordinated via a WLAN connection by government-compliant administrators. In addition to monitoring metabolic processes and diagnosing emerging diseases, this chip functions as a receiver and transmitter of all sensory impressions of its \"host.\"\u003cbr\u003e\u003cbr\u003eProtests against a legal obligation to have the chip implanted quickly die down. The acceptance of large parts of the population goes hand in hand with an enormous improvement in their quality of life.\u003cbr\u003e\u003cbr\u003eHowever, not all people benefit from the new conditions. For those living on the fringes of society, the much-praised innovation does not promise an improvement in their overall situation.\u003cbr\u003e\u003cbr\u003eThose who rebel against these grievances are arrested and brought to areas separated by the government.\u003cbr\u003e\u003cbr\u003eThe B-Districts.\u003cbr\u003e\u003cbr\u003eKnown as prisons without walls in popular parlance, the inmates live cut off from the outside world. While the government is praised for upholding the laws, the reality is different. Hunger, cold, and bloody power struggles of competing gangs are on the agenda, terrorizing the remaining prisoners with unimaginable brutality.\u003cbr\u003e\u003cbr\u003eAlexandra and Mike are two of these inmates. When they meet the mysterious David, events escalate, and a battle for bare survival begins for the two.\u003cbr\u003e\u003cbr\u003e","brand":"Edition Winterwork","offers":[{"title":"Default Title","offer_id":58633962848588,"sku":"3299","price":10.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/brian-deatt_mind_watch_buch.jpg?v=1788177519"},{"product_id":"p3477_vinyl_forever-_totgesagte_leben_laenger_-_buch","title":"Vinyl Forever! Things given up for dead live longer - Book","description":"A true delight: Oi the Print-Bomml is back in writing and has penned his first book! \u003cbr\u003eVinyl Forever is more than just a declaration of love for black gold! Band members, label owners, and scene personalities share their stories about vinyl, their collections, anecdotes, and refreshing tales if you're a die-hard collector! \u003cbr\u003e\u003cbr\u003eAmong others, there are stories with musicians from Cock Sparrer, Lars-Frederiksen\/Rancid, Cro-Mags, Slime, Tommy Molotov, Willi Wucher, Warzone, Black Flag, Charlie Harper (UK Subs), 7 Seconds, Red London, and many more! It's incredible what personalities Bomml managed to gather over the months specifically for this book, and it's a damn good read, not just for punk rockers or vinyl lovers!!! \u003cbr\u003e\u003cbr\u003e336 pages in large paperback format! We are very proud to be working with Bomml again after all these years and to publish this neat piece!!!","brand":"Sunny Bastards","offers":[{"title":"Default Title","offer_id":58633970155852,"sku":"3477","price":15.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_vinyl_forever_buch_20160302151616.jpg?v=1788177561"},{"product_id":"p3538_das_einzige_was_bleibt_-_buch_thorsten_dietze","title":"The Only Thing That Remains - Book (Thorsten Dietze)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\"Just don't conform! As Uwe begins to read his Stasi file, his youth in the GDR comes back to life. Friendship, love and betrayal, but above all the harassment of the regime, are revealed. Yet all they wanted was to be different, real punks.\"\u003c\/p\u003e\n\n\u003cp\u003eThe author, Thorsten Dietze, an expert on the scene, portrays the milieu of his hometown Dresden in the 80s and 90s in his second book with attention to detail and brutal honesty. \"The only thing that remains\" is the novel of an extraordinary youth.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Randale Records","offers":[{"title":"Default Title","offer_id":58633973596492,"sku":"3538","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_buch-thorsten_20160520105753.jpg?v=1788177582"},{"product_id":"p3560_ox_kochbuch_kochen_ohne_knochen_3","title":"OX COOKBOOK (COOKING WITHOUT BONES 3)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eSeven years after the release of the first Ox cookbook and four years after the second, the time has come in early December 2004: Part 3 is here! Even more recipes for \"cooking without bones,\" even more vegetarian and vegan delicacies from simple to sophisticated, by punks and not just for punks.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePublished by Uschi Herzer and Joachim Hiller, the creators of the punk rock fanzine Ox, the Ox cookbook has developed into a secret cookbook tip since its release in 1997 - and not just among punk rockers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe recipe for success: everyday cooking instructions that clearly differentiate themselves from other cookbook fare in their language and are written clearly and comprehensibly.\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"OX Verlag","offers":[{"title":"Default Title","offer_id":58633974513996,"sku":"3569","price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_ox_kochbuch_20160609145811.jpg?v=1788177587"},{"product_id":"p3561_alles_was_ein_fanzine_braucht_-_buch_stille-_kalle","title":"ALL A FANZINE NEEDS - BOOK (STILLE, KALLE)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eEverything a fanzine needs Vuff, Think, Zap, Plot, Ox... and other funny noises D.I.MY Verlag Book, DIN A5, 480 p., approx.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e720 g About the content: Fanzines? That's right, there was something like that once, in a time when information wasn't a question of digital availability, and the small, mostly poorly copied booklets were the only source of information for a hungry punk rock and hardcore scene.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe fact that fanzines weren't always just about band interviews, concert reports, drinking stories, reproduced newspaper articles and record reviews is often forgotten, but it's a fact.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBesides music, fanzines were a form of counter-culture that moved far beyond the musical horizon and anticipated much of what is still not taken for granted today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis book brings together 27 years of essential fanzine works by khs (aka Kalle Stille, aka Babbit, aka...) from Think!?!, Zap, Plot, Ox and other zines, which, when put together, not only make a thick book but also some pretty funny noises and weeks of entertainment.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn 480 pages there are all essential contributions from the only legitimate cult fanzine \"Think\", the Plot, ZAP, selected material from Ox, early works, scattered contributions, external and commissioned works, unseen, unpublished, impertinent and even new contributions, along with a comprehensive appendix that explains to even the last idiot why all this was so right.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOf course in the classic, practical DIN A5 fanzine format, which, due to the thickness of the book, no longer fits into any trouser pocket.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAbout the author: Kalle Stille has been a regular at (primarily punk and hardcore) concerts in Southern Germany since the eighties, he once made the legendary Think!-Egozine, he draws comics, collects records, is a walking music encyclopedia, wrote and still writes for various fanzines (once Zap and Plot, for many years Ox).\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"D.I.MY VERLAG","offers":[{"title":"Default Title","offer_id":58633974579532,"sku":"3561","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_alle_was_ein_fanzine_braucht_buch_20160609152501.jpg?v=1788177589"},{"product_id":"p3562_kurz_vor_dem_arsch_der_welt_links_ab_-_buch_stille-_kalle","title":"SHORTLY BEFORE NOWHERE TURN LEFT - BOOK (Stille, Kalle)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eTurn left just before the ass end of the world ... almost a hometown novel D.I.MY Verlag Book, DIN A5, 250 p., approx.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e370 g About the content: Punk in the cities at the beginning of the 80s was a piece of cake compared to the everyday life of the first peripheral rural punks, who weren't in the thick of it, but only \"close to it.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhile punk spilled from the island to the mainland, leaving its mark on public squares with colorful hair, tame small animals, lots of leather, and even more studs, it was still slowly festering in the countryside not far away.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e17 kilometers can be an almost insurmountable distance when the last bus from the state capital drives home at 10:00 PM to the Swabian hinterland, which still has sufficient radio reception to find out what you're missing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThere, \"next door,\" an adolescent dyes his hair for the first time, which provokes no one else except his father, who henceforth lives in the conviction that he has a gay son, because after all, the older residents of the small village know each other and thus also the little punk who went to second grade with their daughter last fall.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHow do you cause a public nuisance when the cashier in the neighboring store calls you by your first name when you buy your first six-pack? How did punk and later hardcore actually happen just before the ass end of the world (left off the highway)? How did that work in the gray time before the Internet, with all its conveniences, also brought joy to even the last backwater? How did you get music, clothes, concerts, or the latest scene gossip if you only had a bicycle or, with a bit of luck, a moped? And who actually contributed the most to the spread of punk? It wasn't easy, nor was it always nice! But better than today? Certainly not! Just \"different\"! About the author: Kalle Stille has been a regular at (primarily punk and hardcore) concerts in Southern Germany since the eighties, he once made the legendary Think!-Egozine, he draws comics, collects records, is a walking music encyclopedia, wrote and writes for various fanzines (once Zap and Plot, for many years Ox).\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCUSTOMER CENTER LOGIN\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHello Maria Bukowsky,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYou are logged in as a customer.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLast login: 09.06.2016 | 3:31 PM\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCustomer Center \/ Order\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChange user data\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLogout\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCatalog No.:52523In Stock:Add item to shopping cart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eQuantity:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003epack shopping cart\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003etop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSite in English\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCargo Records GmbH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKaiserstr. 52\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD-42329 Wuppertal\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003einfo@cargo-records.de\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e+49 (0)202 - 73 94 90\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e+49 (0)202 - 73 65 70\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003evisit us at\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"D.I.MY VERLAG","offers":[{"title":"Default Title","offer_id":58633974612300,"sku":"3562","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_kurz_vor_dem_arsch_der_welt_links_ab_buch_20160609153336.jpg?v=1788177590"},{"product_id":"p3563_california_ueber_alles_-_buch","title":"California über alles (Dead Kennedys) - Book","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\u003cspan\u003eThe exciting beginnings of the Dead Kennedys, now in book form and German translation for the first time. 240 fascinating pages covering the years 1978 to 1981, the most important and formative phase of the band.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003eAlex Ogg: California über alles Dead Kennedys - how it all began (Paperback, 240 pages) »California über alles«, titled after one of the Dead Kennedys' greatest songs, is the first comprehensive book about one of the most important and influential US punk bands.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt focuses on the band's founding phase in the San Francisco scene up to the release of their first album »Fresh Fruit For Rotting Vegetables« (1980) and the departure of the first founding member, drummer Ted, in February 1981.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAuthor Alex Ogg spoke with many contemporary witnesses for this book. In addition to artwork by Winston Smith, the in-house graphic artist for the significant Alternative Tentacles label, the book also contains numerous, some previously unreleased, photos.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Dead Kennedys were the most influential punk band in the USA between 1979 and 1986. Their singer Jello Biafra quickly developed into a committed, politically very active intellectual who engaged in battles with Tipper Gore, the wife of the later celebrated US Vice President Al Gore, who presented herself as a moral crusader, over her »Parental Advisory« youth protection campaign.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Dead Kennedys' debut album »Fresh Fruit For Rotting Vegetables« regularly appears in the top ranks of lists of the best albums of all time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo this day, they are one of the most popular US bands of those years, on par with Black Flag, Bad Brains, and Minor Threat.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe legal dispute between Jello Biafra and his former bandmates around the year 2000 did not diminish the band's legendary reputation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThree members of the old Dead Kennedys lineup have since been playing concerts with various guest singers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBiafra himself remains active as an artist, on the one hand with his spoken-word performances, and on the other with changing backing bands (including Melvins, D.O.A., NoMeansNo) and, for some years now, with Jello Biafra \u0026amp; The Guantanamo School Of Medicine).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTranslated from English by Ox-editor Joachim Hiller.\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"OX Verlag","offers":[{"title":"Default Title","offer_id":58633974874444,"sku":"3563","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/california_ueber_alles_buch.jpg?v=1788177592"},{"product_id":"p3565_ox_kochbuch_cookery_book_vol-2","title":"OX COOKBOOK (COOKERY BOOK VOL.2)","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eModern vegetarian cuisine for punk rockers and other people\u003cbr\u003e\u003c\/strong\u003ePart 2 of 2000. Even more recipes from punk rockers... not just for punk rockers.\u003cbr\u003eHere too: ruthlessly tested for everyday use. With music. Delicious, meatless, good. Suitable for novice, but vegetarian, cooks as well as for ambitious hobby chefs of any gender. Yummy!\u003cbr\u003eAnd the second part of the popular Ox cookbook also follows the concept: Vegetarians not only have more fun cooking, but also eating. All cooking tips come from people from the scene, from musicians, comic artists or record labels, who not only present their favorite vegetarian or vegan recipe, but also give a music tip that is particularly suitable for cooking and eating together.\u003cbr\u003e15 x 21.5 cm, 240 p.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe press about Ox Cookbook 2:\u003c\/strong\u003e\u003cbr\u003e\"The second cookbook has become even more user-friendly. In addition to tricky culinary delights, for the first time there are also basic recipes from lamb's lettuce to pesto – things that are not a matter of course, but which are taken for granted by most cookbooks and thus kept secret. This makes the Ox cookbook something for beginners and aspiring chefs alike – and all with delicious drawings.\" (aktiv-Musikmagazin)\u003cbr\u003e\u003cbr\u003e\"Clear conclusion after reading this book: There is a life next to Alfred Biolek!\" (My Way)\u003cbr\u003e\u003cbr\u003e\"But not all readers and buyers of the Ox cookbook consider themselves punk rockers. So the recipe for success must lie elsewhere. And indeed, if you take a look at the recipe book, you quickly notice how the book from Ventil Verlag pleasantly differs from other vegetarian cookbooks. Although there are no appetizing photos of the finished dishes, the selection of recipes and the practical, simply and understandably written cooking instructions more than compensate for this. (...) In any case, it can be said that the language in this cookbook clearly differs from the usual cookbook monotony.\" (Eurogay)\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"OX Verlag","offers":[{"title":"Default Title","offer_id":58633975234892,"sku":"3565","price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_ox_kochbuch2_20160610161411.jpg?v=1788177594"},{"product_id":"p3566_ox_kochbuch_kochen_ohne_knochen_5","title":"OX COOKBOOK (COOKING WITHOUT BONES 5)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eCooking without Bones - The Ox Cookbook 5: More than 200 vegan punk recipes [15 x 21.5 cm, 192 p.] ++ In \"Cooking without Bones - The Ox Cookbook 5\" there are over 200 recipes with purely plant-based ingredients, for beginners and experts, for vegans, vegetarians and omnivores, from simple to sophisticated.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBy punks, not just for punks. Anyone who thinks it's difficult to manage without eggs, cheese and other animal products in vegetarian cooking simply hasn't tried the purely plant-based, vegan cuisine yet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJoachim Hiller and Uschi Herzer have been vegetarian since the late eighties and completely animal-product-free for several years - and they know what they're talking about.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn their latest cookbook, they present basics for appetizers, soups, salads, main courses, desserts, cakes, pies and muffins, as well as complete menus and more elaborate dishes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn their vegan punk rock kitchen, undogmatic meat alternatives made from soy and seitan go into pots and pans, but they also show in many recipes how to prepare delicious dishes without relying on cooking with meat, cheese and co.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnything that tastes good and is fun is allowed, because veganism is only cool if it comes without a raised finger.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA book for people who already have experience with vegetarian and vegan cuisine, as well as for newcomers and curious omnivores.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncludes \"The ABCs of Vegan Nutrition\" by Dr. Markus Keller as well as information on veganism and tips and tricks for making the switch.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe book was illustrated by Rautie, who also designed the cover. As with the four previous cookbooks, this one also features guest recipes from the music and vegan scene.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCriminal biologist Mark Benecke shows how to prepare a delicious \"leftover casserole\", Mille from the Essen thrash legend KREATOR revealed his recipe for tofu slices with root vegetables, from Ayurveda chef Volker Mehl (\"Koch dich glücklich\") comes a delicious gnocchi dish, Berlin vegan chef Björn Moschinski from Restaurant Kopps gave us his legendary egg salad recipe, Kurt Ballou from CONVERGE wrote down his instructions for mango tofu rice, DJ and stunt performer Frank Castro contributed his \"Coco Loco Chicorée\", Sebastian Zösch from the Vegetarian Association revealed how to prepare his favorite lasagna, \"Mac \u0026amp; Cheeze\" is the vegan classic recipe by Yvonne Ducksworth from JINGO DE LUNCH, Davide Zolli from the Venetian band MOJOMATICS shows us how to prepare original penne with red pesto.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlorian Boge from the Vegan Strength sports team contributed the \"Vegan Strength Pizza\", the vegan Ahrtal winemaker Michael Fiebrich shares his cauliflower curry with us, and Derek Archambault from DEFEATER amazes with fish-free tuna salad, and the tofu cheesecake comes from Megumi Nachev, who runs the DevaDeva Café in Tokyo.\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58633975267660,"sku":"3566","price":9.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_ox_kochbuch5_20160610161809.jpg?v=1788177595"},{"product_id":"p3783_esterdays_kids","title":"Yesterday's Kids - Book (Tim Hackemack)","description":"77 people were portrayed by photographer Tim Hackemack. Punks, all over 40, who have children old enough to start the next small revolution. Different people, who have much or nothing in common, yet tell a shared story. Tim Hackemack worked on the project for four years, alongside his job, family, and his own band, travelling over 15,000 km and investing countless hours in research. \u003cbr\u003eThe pictures were created according to a punk motto: Don't talk – go! No masks, no hours of image editing. The protagonists could choose their own locations and contribute their own ideas. They were also involved in the selection of the pictures. \u003cbr\u003eThe pictures show people with rough edges. They both confirm and refute the myth of youth culture. \u003cbr\u003e\u003cbr\u003eLarge format 210 x 280mm, bound, 500 pages\u003cbr\u003e\u003cbr\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58633986244940,"sku":"3783","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_yesterdays-kids_buch_20170113113730.jpg?v=1788177658"},{"product_id":"p3784_fur_immer_punk_nuch","title":"Forever Punk? - Book (A collection of short stories by Klaus N. Frick)","description":"\u003cp\u003eKlaus N. Frick, born in 1963 in Freudenstadt in the Black Forest, is primarily the editor-in-chief of \"Perry Rhodan\" and otherwise one of the best-known literary chroniclers of the punk movement. Already in the early 80s, he produced his first fanzines: first science fiction, later punk rock. Since the 90s, he has published various books, including the novels \"Vielen Dank Peter Pank\" and \"Chaos en France\" with Archiv der Jugendkulturen Verlag. In addition, numerous short stories were written, published in various magazines and now presented together in one volume for the first time.\u003c\/p\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58633986277708,"sku":"3784","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_fur-immer-punk-buch_20170113144551.jpg?v=1788177658"},{"product_id":"p3876_chelsea-s_choice_magazine__1","title":"Chelsea's Choice Magazine Issue 1","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\u003cp\u003eTopics in the first issue:\u003cbr\u003eThe Bar Stool Preachers\u003cbr\u003eLegion 76\u003cbr\u003eThee Slayer Hippy (Ex-Poison Idea)\u003cbr\u003eTausend Löwen unter Feinden\u003cbr\u003eBishops Green\u003cbr\u003eCro-Mags\u003cbr\u003eYouth Avoiders\u003cbr\u003eBonecrusher\u003cbr\u003eMickey \"Hottaflex\" Kodak\u003cbr\u003eCrown Court\u003cbr\u003eMarc Scheuchl Tattoo Artist\u003cbr\u003eBloodsucking Zombies From Outta Space\u003cbr\u003eHigh Noon Rockers Sound System\u003cbr\u003eHemp Embassy Vienna\u003cbr\u003eErnst Miesgang\u003cbr\u003eNate Leinfelder - Noi!se\/Tsunami Tattoos\u003cbr\u003eHempress Sativa\u003cbr\u003eTuff Gong International\u003cbr\u003eReggae in Indien\u003cbr\u003eand much more.\u003cbr\u003e\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58633995977036,"sku":"3876","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_chelseas_choice_mag_1_20170619113624.jpg?v=1788177699"},{"product_id":"p15544_gepflastert_mit_gold_buch_thorsten_dietze","title":"Paved with Gold - Book (Thorsten Dietze \/ lim. 300)","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\"1978 - Punk is Dead and things aren't looking good in late 70s England. Race riots, strikes, and unemployment dominate the headlines and people's lives. But Sean Marshall dreams of a better life than the gray North of England can offer, and only London seems to be able to fulfill his dreams. But even there, not all streets are paved with gold...\"\u003c\/p\u003e\n\n\u003cp\u003e(Thorsten Dietze, born in 1972, has been actively involved in the scene for over 20 years. Here he presents his third novel about the skinhead scene, following \"Teenage Kicks\" and \"Das einzige was bleibt\". He lives and works near Berlin.) \u003c\/p\u003e\n\n\u003cp\u003eThe whole thing has now been freshly released by us at Steeltown Records in a small edition of 300 copies, specially intended for the scene, including a bookmark!\u003c\/p\u003e\n\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634001842508,"sku":"15544","price":14.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_gepflastert_mit_gold_buch_20171020174412.jpg?v=1788177738"},{"product_id":"p15554_chelseas_choice_magazine_2","title":"Chelsea's Choice Magazine Issue 2","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\u003cp\u003e56 pages long and this time featuring: Cock Sparrer, The Geeks, Vacunt, Incognito Records, Stuhl, Mess, Boogie Hammer, Shandy, Ray Osro, The Flex, Belmir Huskic, 1113 Tattoos, Johnny Reggae Rub Fundation, Oxley`s Midnight Runners, Highko Strom, Alteau De Hardmod, The Old Firm Casuals, 45 Adapters, Daniel Garcia Art, Shalamanda Soundsystem, Ostpunk feat. Dusche, Megi Gin, DR.Dubenstein, Heave4n`s Gate, and many more.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58634001940812,"sku":"15554","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_chelseas_choice_magazine_ausgabe2_20171121100516.jpg?v=1788177741"},{"product_id":"p15567_damaged_goods_buch","title":"Damaged Goods - Book","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eDamaged Goods \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e150 Entries into Punk History\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJonas Engelmann (Ed.)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e40 Years of No Future. Congratulations!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor the 40th anniversary of punk, we asked companions of Ventil Verlag to write a declaration of love for our most important musical companion. The result is around 150 texts on central albums in punk history, on favorite records, overlooked gems, and classics. From \"Never Mind The Bollocks\" and \"The Modern Dance\" to \"Zen Arcade\" and \"I Against I\" to \"Pussy Whipped\" and \"Wasser Marsch!\", we invite you on a journey through four decades of \"No Future\", to the albums that shaped punk and music history and continue to do so today. Colored by personal memories, enriched with absurd anecdotes and unknown backgrounds, the familiar is re-examined and the unknown is given a place in the history of punk.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSimon Reynolds, Kevin Vennemann, Frank Witzel, Kerstin Grether, Klaus Walter, Klaus Bittermann, Hans Nieswandt, Hendrik Otremba, Katja Kullmann, Kristof Schreuf, Christina Mohr, Jeffrey Lewis, Torsun, Linus Volkmann, Thomas Venker, Alex Ogg, Mira Mann, Joachim Hiller, Alexander Pehlemann, Jana Sotzko, Jörg Sundermeier, Julian Weber, Alice Gruber, Jonnie Schulz, Irene Eidinger, Roger Behrens, Christine Käppeler and many others write about: \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– Obvious choices like Hüsker Dü, The Slits, Sex Pistols, Gang of Four, Mission of Burma, Crass and Siouxsie \u0026amp; The Banshees, \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– Revolutionary acts like Bikini Kill, Death and National Wake, \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– (Anti-)German bands like Slime, Angeschissen, Die Goldenen Zitronen and Hans-A-Plast, \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– Underground heroes like Yage, Atom \u0026amp; His Package and Swing Kids, \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– Forgotten artists like Sylvia Juncosa, Nervous Gender, The Spions and \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e– Contemporary acts like Savages, Pisse and Sleaford Mods.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTable of Contents\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSticks \u0026amp; Stones [Jonas Engelmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMonks [Dietmar Post]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Velvet Underground [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Fugs [Frank Witzel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTon Steine Scherben [Roger Behrens]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe New York Dolls [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatti Smith [Klaus Walter]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDeath [Daniel Decker]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKiev Stingl [Ingo Techmeier]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePeter Hammill [Sascha Seiler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIggy and the Stooges [Fernando Esposito]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBlondie [Hans Peter Frühauf]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJonathan Richman [Leo Leowald]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRamones [Jan-Niklas Jäger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSex Pistols [Olaf Karnik]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRichard Hell \u0026amp; The Voidoids [Klaus Bittermann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWire [Rosina Brunner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMX-80 Sound [Roger Behrens]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChelsea [Oliver Tepel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTelevision [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePere Ubu [Jana Sotzko]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlternative TV [Thomas Schwebel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePebbles [Katja Kullmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdverts [Gerald Fiebig]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eX-Ray Spex [Christina Mohr]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSpions [Alexander Pehlemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Undertones [Jan-Niklas Jäger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSiouxsie \u0026amp; The Banshees [Oliver Tepel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKleenex [Fabienne Schmuki]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Jam [Olaf Karnik]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScritti Politti [Gerald Fiebig]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Slits [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHans-A-Plast [Flávio Bacon]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAlvaro [Ingo Techmeier]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJames Chance and the Contortions [Thomas Meinecke]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBuzzcocks [Jan-Niklas Jäger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDelta 5 [Christina Mohr]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSwell Maps [Christoph Jacke]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMagazine [Hendrik Otremba]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Desperate Bicycles: Gerald Fiebig]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDevo [Markus Ströhlein]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJoy Division [Alexander Nym]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYoung Marble Giants [Simon Reynolds]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePankrti [Sonja Vogel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDead Kennedys [Alex Ogg]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eS.Y.P.H. [Frank Apunkt Schneider]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCarambolage [Julie Miess]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFehlfarben [Hendrik Otremba]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAbwärts [Nina Walser]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGang of Four [Gerald Fiebig]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Clash [Drehli Robnik]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eX [Marian Wolf]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSuicide [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNervous Gender [Jonas Engelmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBlack Flag [Moses Arndt]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNational Wake [Jan Tölva]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Gun Club [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD.A.F. [Nicklas Baschek]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElektri?ni Orgazam [Johannes Ullmaier]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThis Heat [Martin Büsser]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThrobbing Gristle [Michael Wehren]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Germs [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Stranglers [Henryk Gericke]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWipers [Joachim Hiller]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMission of Burma [Alexander Isele]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Cramps [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAu Pairs [Rosina Brunner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrange Juice [Hans Nieswandt]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMalaria! [Steffen Greiner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Faith\/Void [Julian Weber]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFreiwillige Selbstkontrolle [Frank Apunkt Schneider]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLudus [Oliver Tepel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Birthday Party [Robert Mießner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChuzpe [Drehli Robnik]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrygada Kryzys [Alexander Pehlemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAngry Samoans [Frank Apunkt Schneider]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCrass [Michael Wehren]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLos Violadores [Lukas Böckmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSchleimkeim [Frank Willmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSlime [Salvador Oberhaus]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMark Stewart?+?Maffia [Jochen Kleinhenz]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSPK [Alexander Nym]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBrutal Verschimmelt [Rasmus Engler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMinutemen [Benjamin Moldenhauer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHüsker Dü [Alice Gruber]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKukl [Thomas Venker]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeat Happening [Andi Dvo?ák]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEinstürzende Neubauten: Mira Mann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCampingsex [Hendrik Otremba]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBad Brains [Michael Zuckle]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRazzia [Salvador Oberhaus]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCulturcide [Ingo Rüdiger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDag Nasty [Andi Schoon]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAG. Geige [Anne Hahn]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBig Black [Christoph Jacke]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePussy Galore [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNapalm Death [Jonnie Schulz]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAngeschissen [Torsun Burkhardt]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGlen Meadmore [Didi Neidhart]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNomeansno [Martin Büsser]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBad Religion [Daniel Beskos]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRapeman [Chris W. Wilpert]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGraschdanskaja Oborona [Ewgeniy Kasakow]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSylvia Juncosa [Kristin Schulz]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFeeling B [Kristof Künssler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJad Fair [Diedrich Diederichsen]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFalse Prophets [Marian Wolf]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDogbowl [Bertrand W. Klimmek]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoredoms [Johannes Garbe]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eGorilla Biscuits [Andi Schoon]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKolossale Jugend [Myriam Brüger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Fall [Jörg Sundermeier]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eM.O.T.O. [Chris W. Wilpert]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMassacre 68 [Prasku]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBoxhamsters [Daniel Beskos]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCodeine [Philipp Ohnesorge]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNirvana [Jan Tölva]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eF.P.B. [Alexander Pehlemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBorn Against [Kristof Künssler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Ex + Tom Cora [Torsten Nagel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eArmia [Alexander Pehlemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJonathan Richman [Rosina Brunner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Notwist [Tina Manske]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eToxoplasma [Tobias Prüwer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCpt. Kirk \u0026amp; [Simon Dickel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBikini Kill [Anna Seidel]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMelvins [Irene Eidinger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHoneywell [Nils Quak]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHuggy Bear [Philippa Schindler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDezerter [Alexander Pehlemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDie Ärzte [Michael Peter Hehl?\/?Jan-Niklas Jäger]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHole [Kerstin Grether]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBeastie Boys [Andreas Rauscher und Wolfgang Buechs]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSwing Kids [Kevin Vennemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePansy Division [Andi Dvo?ák]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChumbawamba [Jens Kastner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTeam Dresch [Atlanta Ina Beyer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSick Of It All [Salvador Oberhaus]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNOFX [Jens Kastner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWIZO [Tobias Prüwer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSonic Youth [Jasper Nicolaisen]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTribe 8 [Atlanta Ina Beyer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJawbreaker [Kristof Künssler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEA80 [Johannes Garbe]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMelt-Banana [Christian Werthschulte]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e… But Alive [Daniel Beskos]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMutter [Hendrik Otremba]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMasonna [Johannes Garbe]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNoir Désir [Janika Wersig]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSmegma [Jan Tölva]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAtom and his Package [Endi Endemann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Van Pelt [Thomas Schröder]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRefused [Matthias Rauch]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLes Robespierres [Benjamin Moldenhauer]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLe Tigre [Christina Gehrlein]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Moldy Peaches [Juliane Streich]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYage [Marius Henderson]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe World\/Inferno Friendship Society [Christina Gehrlein]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSuperpunk [Till Huber]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFugazi [Matthias Rauch]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOrgazm Nostradamusa [Ewgeniy Kasakow]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eParole Trixi [Kerstin Petermann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTed Leo \u0026amp; The Pharmacists [Christina Gehrlein]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDie Goldenen Zitronen [Alexander Stärck]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAttwenger [Armin Hofmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Thermals [Christine Käppeler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTrend [Chris W. Wilpert]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eYeah Yeah Yeahs [Christine Käppeler]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Silver Mt. Zion Memorial Orchestra \u0026amp; Tra-La-La Band (with choir) [Jonas Engelmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSchneller Autos Organisation [Mirco Rappsilber]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLeatherface [Ferdinand Führer?\/?Roland van Oystern]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSleater-Kinney [Matthias Rauch]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJeffrey \u0026amp; Jack Lewis [Gianni Düx]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eErase Errata [Jana Sotzko]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWavves [Steffen Greiner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePropagandhi [Jens Kastner]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePussy Riot [Norma Schneider]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSleaford Mods [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAgainst Me! [Bettina Wilpert]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChain \u0026amp; The Gang [Holger Adam]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePisse [Linus Volkmann]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSavages [Bettina Wilpert]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eWild Billy Childish \u0026amp; CTMF [Joachim Hiller]\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHistory and Development of Punk in the Lower East Side. 1950 to 1975 [ Jeffrey Lewis]\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634003677516,"sku":"15567","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_damaged_goods_buch_20171205104937.jpg?v=1788177755"},{"product_id":"p15686_chelseas_choice_magaine_ausgabe_3_flexi_7ep","title":"Chelsea's Choice Magazine Issue 3 + Flexi 7","description":"\u003cdiv class=\"row sf-wrapped\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cspan\u003eTopics in the 3rd issue:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCockney Rejects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Death of Guitar Pop\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBernie Luther (Tattoo Demon Vienna)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Crack\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eReggae in Singapore\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSTRG Z\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAustrian Underground Collector\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB Squadron\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e30 Years of Core Tex Records Berlin\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnger Flares\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Detained\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAnstalt\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDevil´s Rejects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDealer´s Choice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMondo Wave\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eZsa Zsa Gabor´s\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStyrian Bootboys\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDemenzia Kolektiva\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Great Escape\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHilde Neunteufel - Vom Scheitel bis zur Sohle\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eand much more.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eINCL. FREE FLEXI 7\" by THE TERRITORIES (thanks to Pirates Press!!!!)\u003c\/span\u003e\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58634007216460,"sku":"15686","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_chelseas_choice_magazine_ausgabe_3_20180412174153.jpg?v=1788177784"},{"product_id":"p15736_ska_im_transit_buch_matt_ska_emma_steel","title":"SKA in Transit - Book (Matt Ska \u0026 Emma Steel)","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003eInfo: EDITION NONAME, in cooperation with PORK PIE, presents the first and so far only book about the development of Ska in East and West Germany before and after the reunification - hardcover book with 160 pages and around 200 historical pictures, numerous stories and interviews from and with the protagonists of the scene.\u003cbr\u003e\u003cbr\u003eBrimming with interviews, portraits, and anecdotes, the following protagonists share their stories in the book: AMEDEO (BLUEKILLA), BAUMI (THE FRITS), BOSSO (EL BOSSO \u0026amp; DIE PING PONGS), FRANZE (DIE TORNADOS, FF-DABEI-BOOKING), GERALD MACHNER (NO SPORTS), JOE SCHOLES (THE BRACES), KARSTEN RIEDEL (ALPHA BOY SCHOOL), KAY (YELLOW CAP \/ MIGHTY SOUNDS FESTIVAL), LEANDER (MESSER BANZANI), MARCO (MICHELE BARESI), MARCUS (BLECHREIZ), MEYER (MOTHERS PRIDE), RICHIE a.k.a. 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For over 20 years, he has shaped and influenced the local and international punk and Oi! scene, experiencing quite a lot along the way.\u003cbr\u003e\u003cbr\u003eWhether as a band member, tour bus driver, founding member of an association, active booker and organizer, freelance journalist, co-founder of a record label, screen printer, family man, graphic designer, or quiet observer and contemporary witness of the DIY landscape in Germany and Eisenhüttenstadt.\u003cbr\u003eHe takes us on a journey through his stories and experiences. He tells us humorously and excitingly, sometimes with confidence but also with self-doubt, about himself and the scene. With an eye on the big picture, he captures the moment for himself and for us. His love and passion for music are his driving force.\"\u003c\/p\u003e\n\n\u003cp\u003e1st edition 5 copies (Sold out)\u003c\/p\u003e\n\n\u003cp\u003e2nd edition 100 copies (Sold out)\u003c\/p\u003e\n\n\u003cp\u003e3rd edition (100 copies \/ this one)\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634008953164,"sku":"15740","price":15.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_proof_of_life_buch_thomas_lockenkopf_fanzine.jpg?v=1788177802"},{"product_id":"p15829_chelseas_choice_magazine_ausgabe_5_cock_sparrer","title":"Chelsea's Choice Magazine Issue 5 incl. 7\" Flexi by Cock Sparrer (!long SOLD OUT! Here are a few returns!!!)","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e56 pages strong and this time with: Agnostic Front, Red London, Masons Arms, East End Chaos, One Voice, Aggressive Rockproduktionen, Brian Deatt, Battalion Of Saints, Dr. Strange Records, Pirates Press, Danubian Dub Soundsystem, Peter \"Zoni\" N. (Verlorene Jungs, Lostboyz Army), Punishable Act, Mad Sin, Comandante Records, Mark Foggo, Grade 2, Steve Little Fingers, Nö Class, Cvntiside, Janösch, Fakir, Morphine Pilgrims, Leberzerroze, Pasty Clan, Gisela, 8082, and many more.\u003cbr\u003eIncl. Flexi 7\" Cock Sparrer\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58634075144524,"sku":"15829","price":7.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_chelseas_choice_magazine_ausgabe_5.jpg?v=1788177855"},{"product_id":"p15887_untergrund_war_strategie_punk_in_der_ddr_zwischen_rebellion_und_repression_buch_geralf_pochop","title":"Underground Was Strategy - Punk in the GDR - Between Rebellion and Repression Book (Geralf Pochop)","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003eDescription:\u003c\/p\u003e\n\n\u003cp\u003eFor many years, the state treated us like enemies because of our musical taste and our appearance. We embraced this role. We became highly politicized and no longer just used our hard-won freedoms to enjoy our attitude towards life, but built a network of completely autonomous structures. We found ways to refuse military service, to express our opinions publicly, and we spoke our minds freely. We didn't vote because we didn't recognize elections as legitimate. The state had nothing to counter our uncompromising stance.\u003c\/p\u003e\n\n\u003cp\u003ePunk was the best thing that could have happened to us in the GDR. We were discriminated against, hunted, and arbitrarily imprisoned, yet we were freer than everyone else. It was the most intense time of my life.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003eUnderground was strategy. Punk in the GDR: Between rebellion and repression.\u003c\/p\u003e\n\n\u003cp\u003eHardcover, 200 pages, 21 x 21 cm \u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003eby Geralf Pochop\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634077897036,"sku":"15887","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_untergrund_war_startegie_punk_in_der_ddr_geralf_pochop.jpg?v=1788177874"},{"product_id":"p15889_jugendkulturen_zwischen_kommerz_und_politik_buch_klaus_farin","title":"Youth Cultures between Commerce and Politics - Book (Klaus Farin)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003eDescription:\u003c\/p\u003e\n\u003cp\u003eWhat opportunities do young people have to set themselves apart from their elders, to identify with like-minded individuals? The most obvious: outfit and music. Preferably one that even rock 'n' roll-socialized parents can barely tolerate. Even if only because of the frequency and the position of the volume knob. If a few more people are enthusiastic about the new music, fashion, action, we are currently witnessing the birth of a new youth culture. And soon after, its sell-out.\" From the content: For example: Techno, HipHop, Punk. \/ \"Why can't Michael Jackson fuck his monkey?\" Ina Deter and Lemonbabie Diane Weigmann in conversation. \/ Klaus N. Frick explains punk, Aziza-A explains hip hop. Karl Nagel addresses kind words to trend agencies. Fluchtweg reports on punk in the East.\u003c\/p\u003e\n\u003cp\u003e\"Klaus Farin is not someone who categorizes youth culture between the ages of 12 and 40 with (hasty) judgments. A profound analysis with a cultural studies approach is not necessarily his thing either. Nevertheless, he is an expert whom no one can easily fool. His métier is listening, asking questions, and uncensored communication of youth viewpoints. He is a collector. His hunting ground is youth meeting places, scene pubs, backstage rooms and concerts, his prey is original sound bites. In this book, above all, young people who identify with the HipHop, Punk, Techno and Independent scenes have their say. The original sound bites are largely unedited, placed against each other, within each other or next to each other. What emerges is a journalistic collage that is excellent to read, nod to, shake your head at, and never leaves you cold from the first page to the last (the photos and background information about the narrators placed next to the text are excellent). Such an approach has advantages and disadvantages: The directness of the statements, which presents an unfiltered excerpt of youthful lifeworlds, is advantageous. The interpretation of the viewpoints is left to the reader, as are any conclusions drawn from what has been read. This book is disadvantageous above all for those contemporaries who are looking for ready-made answers. No, Farin does not want to relieve us of the burden of thinking. Nor are perspectives shown to us: what is currently in vogue, what are \"authentic\" and what are \"commercial\" youth cultures. One thing becomes clear: In addition to the problem of the decreasing importance of traditional socialization institutions such as family, church, parties and milieus, it is above all the \"forever young\" mentality of 35-50-year-olds that makes their children retreat into ever new subcultures. Because young people want and need to be different from their parents' generation, to set themselves apart... which is a very difficult undertaking in a society committed to liberalism. Where it does succeed, the next trap lurks: industry. The higher the degree of specialization of a youth culture, the higher the probability of commercial marketing. In the special section of the book, titled Music and Rebellion, the reader will find statements on this topic from musicians, scene activists, music critics and fanzine makers. One article exclusively features female musicians, others are dedicated to the function of the audience, songwriting and the importance of boundaries and censorship. Especially in the latter articles, one finds exciting statements. Conclusion: A book that is indispensable for anyone interested in original sound bites from youth subcultures, but who cannot get them themselves due to lack of opportunity. For everyone else: exciting to read and yet informative.\" Thomas Feist \u003cu\u003ewww.crossover-agm.de\u003c\/u\u003e\u003c\/p\u003e\n\u003cp\u003eIt's really a strange feeling when you read through the lines and have to realize how little you actually know about this or that culture, even if you may have been convinced of one of them for years. Not only do historical background information fill our possible knowledge gaps, Klaus Farin also shows the clear relationships of culture to politics and commerce. For example, how industry is significantly involved in influencing the cultural behavior of young people, how it also creates its own artificial cultures, for example streetball, the adidas creation. It is a description of how industry shapes and markets cultures according to its interests. Long story short: the book is a must for all of us! Sidar Demirdögen junge Stimme No. 13\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634077995340,"sku":"15889","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_jugendkulturen_zwischen_kommerz_und_politik_buch.jpg?v=1788177875"},{"product_id":"p15892_vorher_muesst_ihr_uns_erschiessen_buch_goeran_gnaudschun_hirnkost","title":"You'll Have to Shoot Us First - Book (Göran Gnaudschun)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eDescription:\u003c\/p\u003e\n\u003cp\u003e\"First you'll have to shoot us\" uses Potsdam as an example to paint a picture of the squatters' scene of the 90s. This book is a family novel, a diary, and a mouthpiece. While the times of squatting and house-to-house fighting were considered over in West Germany, this form of self-determined action experienced a renaissance in the East after the fall of the Wall. The empty, dilapidated city centers offered space for new ideas: \"We had absolute freedom,\" was the credo. In the very personal images from squatted houses, Göran Gnaudschun's photographs weave a network of meaningful and contrasting perspectives. A way of life between politics and punk, resistance and \"cheers,\" harshness and melancholy. Kay Meseberg's interviews show the attitudes and memories of the former and current squatters. \u003c\/p\u003e\n\u003cp\u003e\"Now you have to search longer. Between freshly plastered houses and Sitex steel lie hidden traces of what Potsdam once stood for: a \"mecca\" of alternative youth and squatter culture. Little of it remains, and in this city, as so often, people are quick to forget. Göran Gnaudschun's photos prevent that. They help to revive the images in one's own mind, to remember the places that have been denied and neglected for so long.\" events. Das Potsdamer Stadtmagazin 1\/2002. \u003c\/p\u003e\n\u003cp\u003eGöran Gnaudschun on his photographic work: For three and a half years, I photographed in squatted houses in Potsdam. There is a quite strong squatter scene here, which has developed since 1989 as a kind of counterculture, with its own norms and values, its own venues and pubs. The reason for moving into squatted houses is often the desire to escape \"bourgeois\" life and create one's own independent life, to live in a community and to test anarchistic and autonomously democratic social models on a small scale. \u003c\/p\u003e\n\u003cp\u003eIn the period between autumn 1989 and 1990, there was a legal vacuum in the former GDR. The first houses were squatted. Everything seemed possible and everything was open. However, it soon became clear that society could not be moved in the way many activists of the Wende movement had hoped. The people who belonged to the squatter movement became radicalized on the one hand, but on the other hand also retreated into these self-created free spaces. Since then, depending on mentality and demands, attempts have been made in the houses to implement one's own ideas about life. \u003c\/p\u003e\n\u003cp\u003eSince everyone is aware that these free spaces and niches offered by the squatted houses will not always exist, and that at the latest in the next few years even the last houses will be cleared, an \"all the more reason now\" mentality has taken hold. It is the certainty of failure, combined with the feeling of still having to do it. Utopia as a means to preserve the strength to defend one's own stance on the world. I photograph to visually capture what is irrevocably lost – people, things and experiences that are important to me – to condense them into images and then, when assembling them, into a very specific statement about this very specific time. This work is partly autobiographical, a trace of my own past, when this life was so self-evident to me that I didn't think it was worth photographing. – But to observe, you probably need a bit of distance; otherwise, everything is too close, becomes blurry or merely private.\u003c\/p\u003e\n\u003cp\u003eThrough this engagement with the past among people of the present, a piece of biography of a part of a generation emerges for me, a feeling of life that transforms the protest against existing power and property relations into one's own ideas of life and behavior and mixes them with the demands for a completely normal, yet self-determined life. Regarding the title: \"First you'll have to shoot us\" originated as a banner at a demonstration in the summer of 1997. The Interior Minister of Brandenburg announced at the time that police officers would only enter situations that could lead to violent clashes between squatters and the police if armed.\u003c\/p\u003e\n\u003cp\u003eI don't want to show certain situations that have already been over-published as clichés by the media. That's why I counter the images with this title, which spans the political level above the private space, but then questions itself through its pathos.\u003cbr\u003eThis work is a remembrance of youth and of a free, self-chosen life; it is also political – but not a reportage. I am concerned with the artistic representation of a way of life, without a voyeuristic, journalistic, or ethnological gaze. The images should allow for further associations and statements on more general topics such as youth, life, and society.\u003c\/p\u003e\n\u003cp\u003eGöran Gnaudschun\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634078126412,"sku":"15892","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_vorher-musst-ihr-uns-erschiessen-placeholder_buch.jpg?v=1788177877"},{"product_id":"p15906_street-art-legenden-zur-strasse-buch-katrin-klitzke-_-christan-schmidt","title":"Street Art - Legends of the Street Book (Katrin Klitzke \/ Christian Schmidt)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003eDescription\u003c\/p\u003e\n\n\u003cp\u003eMuch has been written about Street Art in recent years, both from outside and within the scene. \"Street Art. Legends of the Street\" attempts, through a collaboration between active street artists and observing academics, to interweave both perspectives for the first time. While artists process their experiences and stories from the street in the form of literary and graphic contributions, researchers from various disciplines, in the form of essays, make this pop cultural phenomenon understandable to outsiders within its social, political, historical, and cultural context. The publication thus offers \"legends of the street\" in a dual sense: on the one hand, as narrative \"legends\" of street artists working on the street, and on the other hand, as explanatory \"legends\" for a better understanding of these illegal interventions in urban aesthetics.\u003c\/p\u003e\n\n\u003cp\u003eInterviews with the editors: 13seiten.com and with jetzt.de\u003c\/p\u003e\n\n\u003cp\u003e“If there were a rating system here, I would give the title eleven out of ten points.”\u003cbr\u003eStylespion\u003c\/p\u003e\n\n\u003cp\u003e“At first I thought: Oh, no, not another street art book. There has simply been an overkill of pseudo-post-graffiti books in recent years, for which some second-rate photographer strolled through the streets of Berlin, photographed everything that looked like a poster\/sticker\/stencil, and sold it to a publisher, panting for subversive and rebellious themes, as new, hot stuff from Berlin. Then the surprise: 'Street Art. Legends of the Street' has not become a picture book, but a real reading book. Finally, someone has understood that the phenomenon of street art still lacks theoretical substance. The book is absolutely worth reading! – probably the first comprehensive theoretical work on the subject of street art.”\u003cbr\u003erebelart.net\u003c\/p\u003e\n\n\u003cp\u003e“Very worth reading and seeing!” Radio Fritz (\u003ca href=\"http:\/\/www.fritz.de\"\u003ewww.fritz.de\u003c\/a\u003e)\u003c\/p\u003e\n\n\u003cp\u003e“Atelier Straße. The Archive of Youth Cultures in Berlin is known for its high-quality publications. With 'Street Art – Legends of the Street,' a lively and extremely readable anthology on the broad field of street art is now available, which attempts to interweave both perspectives through a collaboration between active artists and observing academics.\u003cbr\u003eExperience reports from the scene and essays from the ivory tower, combined with ample photos, mainly from the federal capital, combine to create an entertaining read for eyes and brain. The social, political, historical, and cultural context of this illegal art is clarified, as are the mundane technical requirements and hurdles faced by the protagonists.\u003cbr\u003eThe variety of written expressions is also appealing, from letters to plays and photo novels. And the most important thing, of course: The volume shows many great pictures that, in addition to all the art, simply make you want to visit Berlin again.”\u003cbr\u003eNeue Szene Augsburg\u003c\/p\u003e\n\n\u003cp\u003e“At first glance, it seems difficult to convey both the scientific perspective and the perspective of those who are passionately involved to the reader equally, while also doing justice to dissenting voices. But the authors and editors succeed in this balancing act. As a beginner, one understands a lot better after reading this book, and even readers who are already well-versed in the field will learn and discover new things.\u003cbr\u003eThere is a lot to discover in the book: Not only new perspectives and information in the texts, but also the many pictures offer much new and encourage you to walk through the streets with open eyes in the future. In many places where you wouldn't expect it, street art is hidden.”\u003cbr\u003eAnja Thiemé in: \u003ca href=\"http:\/\/www.media-mania.de\"\u003ewww.media-mania.de\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e“A book for poster-pasting and strolling\u003c\/p\u003e\n\n\u003cp\u003eSTREETART IS NOT\u003c\/p\u003e\n\n\u003cp\u003e– anything but art seen + performed in the streets.\u003cbr\u003e– published in this book, nor in any other book or magazine on the topic.\u003cbr\u003e– being auctioned or bought.\u003cbr\u003e– to be found in galleries or museums.\u003cbr\u003e– collectable.\u003cbr\u003e– more than a offer.\u003cbr\u003e– a profession.\u003cbr\u003e– design or stupid self-advertising\u003cbr\u003e– graffiti. But graffiti can be streetart.\u003cbr\u003e…anything more than a label that people stick on us, to feel more comfortable. Just take it off + burn it. It might keep you warm for a while…\u003cbr\u003eNOMAD\u003c\/p\u003e\n\n\u003cp\u003eA strange foreword for an anthology on street art, but in this case, a groundbreaking one. \"Street Art. Legends of the Street\" does not aim to be a DIY textbook or an art coffee table book, but a travel guide, because adventure awaits outside the door. Those who turn the page – instead of reaching for a lighter as recommended – will find 32 very different approaches.\u003cbr\u003eThe collection of texts playfully mixes scientific texts with theme-inherent photos. In addition, there are the legends promised in the title in the form of essays, reports, and narratives by the \"artists.\" Street art is for all of us, that's the tenor. This is the second book in the Verlag Archiv der Jugendkulturen after Die Stadt als Spielplatz (2006) to deal with urban art phenomena, and it comes at a time when cut-outs and graffiti, posters and stickers in public space are no longer new and innocent, but are, for example, being preserved from decay on glass walls in London by works of Blek le Rat.\u003cbr\u003eHowever, not only city marketing but also gallery owners and fans fight with their respective means against the melancholy of transience. The latter use their camera as a weapon against fading, weathering, the moment – a now well-established cultural technique. Photos are uploaded to blogs like www.woostercollective.com (venerable subtitle: A Celebration of Street Art), viewed globally and archived. The digital honorary cemetery of the swept away and pasted over certainly finds predecessors in the Archive of Youth Cultures in the field of hunting and collecting.\u003cbr\u003eAnd we are already on the street. Honestly, who hasn't tried to bring a particularly beautiful specimen from the brittle wall indoors? The author Heike Derwanz, at any rate, tried in vain and found comfort in Japanese aesthetics. The charm of transience particularly convinced her. Her love letter to transience is therefore both pragmatic and tender. The art historian Anika Lorenz, on the other hand, has a purely objective perspective. She debunks the legend of new art that fell from the sky at the turn of the millennium to color all the gray of the city\/building\/decay. No, it all began with a hand as a stencil on the cave wall of our ancestors. The urban mural has deep roots. But the classification of street art is difficult, says Lorenz in accordance with the initial quote, because street art combines elements from artistic, political, subcultural, social, and activist movements. \"This allows it to be many things at once: playful like Dada, politically agitating like the Situationists, advertising-aesthetically striking like Pop Art, or territory-marking and name-focused like graffiti writing.\" Speaking of writing: An artist conceived a small utopia where police officers are nice and helpful. All Cops Are Cool. What would happen in this world with the widespread ACAB tags?\u003cbr\u003eWarning: The book is an amuse-bouche! And it tickles the mind and feet while reading.”\u003cbr\u003eJuliette Kaiser in: Leipzig-Almanach\u003c\/p\u003e\n\n\u003cp\u003e“Finally a publication that really takes the phenomenon of Street Art seriously, not just showing and describing it, but also questioning and explaining it. Because the extent of its spread and the resilience with which Street Art is globally asserting itself reflect the problematic state of this urban world and bear witness to hidden mechanisms that virtually conjure up the emergence of spontaneous youth cultures. In previous volumes such as 'Street Art: The City as a Playground' and 'Street Art: A Subculture Between Art and Commerce', the foundations for a complex approach to the topic have already been laid. This volume builds on what has been started and goes further by combining various contexts – art-historical, socio-cultural, political, and ethnological – while skillfully incorporating illustrative, authentic, and playful elements such as documents, photos, insider reports, film stills, and literary texts. This creates a journalistic kaleidoscope, equally exciting for fans and adversaries and in the best form. First choice.”\u003cbr\u003eDanuta Springmann in: ekz-informationsdienst\u003c\/p\u003e\n\n\u003cp\u003e“Scientists, of all people, are supposed to explain the phenomenon from an external perspective? But the concept works. In the form of essays, a number of young scientists dedicate themselves to the object 'Street Art' according to their field. Sociology, geography, art history, and many more are represented. On 225 pages, an overview emerges from 'How authentic is street art in a gallery?' to its integration into advertising and thought-provoking walks through Berlin. But artworks and impressions from London and New York are also discussed in the volume.\u003cbr\u003eViewing street art as a purely scientific topic from the outside initially sounds like stifling a living art, fixing it, and destroying its further development and thus its existence. However, the approaches are diverse and go far beyond a mere description. What could have turned vibrant street art into a dry panorama is transformed into a lively discussion by the second level of the book. Klitzke and Schmidt succeeded in getting street artists to contribute to the book. The self-reflective texts by the artists, ranging from a 'Street Art Musical' to poems and mini-newspapers, provide the reader with a glimpse behind the scenes.\u003cbr\u003eThe book offers something for almost every reader who delves through the initial, rather scientific essays. Never heard of street art? Banksy is an unknown word? Here's an overview. Those who are already fans will discover new perspectives. Looking for a master's thesis topic? Here are some approaches.”\u003cbr\u003eJanina Guthke in: Der Tagesspiegel\u003c\/p\u003e\n\n\u003cp\u003e“More, more! One wants to exclaim.” More at: \u003ca href=\"http:\/\/www.schenken.net\"\u003ewww.schenken.net\u003c\/a\u003e\u003c\/p\u003e\n\n\u003cp\u003e“Street. Art. My ass. There can't be many terms that have been hyped so much in recent years, that have been glorified so much as a symbol and synonym for authenticity, urbanism, and rebellion. Street art is dead. Dead as a doornail.\u003cbr\u003eKatrin Klitzke and Christian Schmidt understood that this conclusion is unfounded, and printed the unword in bold, white Helvetica letters on the cover of their book. \"Street Art – Legends of the Street\" deals with the topic at a serious and respectable level. Whoever opens the book cover will indeed find a \"journalistic kaleidoscope,\" as the editors describe it in their foreword, and quite a surprising one. The concept is the risky encounter of art and science. Art historians, sociologists, geographers, ethnologists, and philosophers analyze the art movement of street art in lengthy essays, meticulously substantiating their statements with cross-references to scientific literature and thereby ultimately canonizing the often ridiculed street art to the status of a cultural-historical research object. This sometimes brings more, sometimes less new insights to light, often feels like a belated satisfaction, and at the same time appears so overly intellectual in places that one catches oneself muttering a contradiction. Nevertheless, this is what is new and innovative about \"Street Art – Legends of the Street\": The honest, high-level, and long-overdue examination of the first global cultural phenomenon of the 21st century. The essays oppose the we-are-young-and-funny attitude with depth, reflection, and classification. They place the supposedly insignificant stickers, stencils, and posters in context and relation to past art movements, to globalization and gentrification. This distinguishes the book from other publications on the subject; it does street art a service instead of enriching itself from it.\u003cbr\u003eHad it remained a collection of academic texts, the book could just as well have been published by Reclam Verlag. But \"Street Art – Legends of the Street\" has several other pages whose content was designed by artists. The protagonists of the urban Berlin art scene, Tower and Bronco and Evol and Gould and Boxi, are all represented. This is not creative incest; each artist justifies their mention by the quality of the printed works. Bronco's text \"Street Art: The Musical,\" for example, leaves the reader with a mixture of speechless admiration and a latent inferiority complex. Evol, with the photos of his \"Search for Traces,\" shows a concept of \"Street Art\" that has nothing to do with stencils or paste. And Klub7 meticulously guides through the creation process of a paste-up, from the initial idea, through conception, to the finished image on the wall. This mixture of scientific essays and artistic works enormously loosens up the book, especially because the direct juxtaposition of gravity and lightness appears so bizarre.\u003cbr\u003e\"Street Art – Legends of the Street\" has not become a coffee table book. The editors did not make it easy for themselves and did not simply produce another pretty but hollow street art book that is supposed to bring the obligatory street credibility into oh-so-hip bookshelves. Instead, it has become a keyword provider for people who reflect on their everyday environment. A travel guide that proposes a legend that everyone can transfer to their own city map. A legend of the street.”\u003cbr\u003eLukas Kampfmann in: proud. Berlin-Lifestyle Cross Media Magazin\u003c\/p\u003e\n\n\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634078880076,"sku":"15906","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_street_art_legenden_zur_strasse_buch.jpg?v=1788177887"},{"product_id":"p15907_street_art_die_stadt_als_spielplatz_buch_christian_heinicke_daniela_krause","title":"Street Art - The City as a Playground Book (Christian Heinicke \/ Daniela Krause)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eFor several years, street art actions around the globe have been causing a stir. More and more of these signs by individuals or groups are appearing on the surfaces of cities. They transform empty or sterile places and streets into vibrant, colourful galleries. Street art is a controversial and hotly debated topic. This is because street artists distribute their signs unsolicited and free of charge in the urban landscape. Urban planning, on the other hand, places the highest value on supervised and clean spaces.The two editors Daniela Krause and Christian Heinicke, both qualified designers, produced this book together with numerous street art protagonists.\u003c\/p\u003e\n\u003cp\u003e\"The friendly and professionally perfectly designed volume offers very good photographic documentation, thoroughly underpinning it with texts on the specifics of street art and its cultural and historical aspects. Due to its high graphic and content quality, it helps to generate a positive response to the topic.\"\u003cbr\u003eekz-informationsdienst (Purchasing Centre for Libraries)\u003c\/p\u003e\n\u003cp\u003e\"This is the most informative, well-organised and best book on street art I have come across so far. ... extremely well-founded, multifaceted and lovingly made. ... A publication on street art in this format could hardly have been realised better.\"\u003cbr\u003eClara in: de:bug\u003c\/p\u003e\n\u003cp\u003e\"Street art is hip and books about street art are too. Designers are inspired by the aesthetics of street art, and conversely, street artists play with codes and forms of mass media and the consumer world. However, the subversive aspect of street art, as a form of resistance and social criticism, is only marginally addressed in most publications or glorified as a cool attitude. Revolutionary attitudes and aesthetics can easily be copied and attached to brands, as shown by the appearances of Nike, Adidas and Sony, for example, who advertise with street art aesthetics. With their book 'Street Art. The City as Playground', Daniela Krause and Christian Heinicke attempt not only to consider the aesthetic dimension of street art, but to do justice to the phenomenon with a more comprehensive view. They do not remain at the detached view of the scientist, but become participating observers. The two designer-artists are probably active street artists themselves and know the German scene very well – at least the part that is on their wavelength. Because despite the recognisable effort to be systematic and reasonably comprehensive, a very personal perspective is revealed, shaped by the authors' preferences and values. This is precisely what makes the book strong – especially in the parts where the subjective perspective becomes authentic: in the discussions of their favourite works and in the interviews with a number of street artists.It is surprising how consciously and clearly street art is reflected as a subversive and socially critical expression – not only by the authors, but also by the artists, who are given ample space to speak. Even if the various protagonists argue differently and, of course, do not follow a uniform street art theory – which does not exist – commonalities become apparent, common motivations and similar goals. Many are clear that it is about changing the viewers or their way of looking, and not about spreading 'truths'. Room for interpretation is consciously left, instead of formulating clear messages. The viewer is seen as an active 'reader' who must and may discover the meaning for themselves. For many street artists, reclaiming public space is not primarily a political concern, but a kind of self-assurance and altruism. Their work serves both their own identity construction and 'environmental beautification'. It is self-defence and cultural work, group fun and mass communication ... It is precisely this openness that makes street art and this book so appealing. (...) All in all, 'Street Art. The City as Playground' is an inspiring book that offers an entertaining and illuminating presentation of street art in Germany – for fans and outsiders.\"\u003cbr\u003eKris Krois in: sozialextra\u003c\/p\u003e\n\u003cp\u003e\"This is youth culture, as it becomes visible above all: visual art in public space - controversially discussed, loved and hated. Daniela Krause and Christian Heinicke approach the phenomenon of street art without reservations, without sensationalism. Curiosity and joy in the aesthetic contemplation of reproduced stencils and self-taught artistic expressions can be assumed as honourable motives for this publication. The book is, in the best sense, also a picture book. In addition to a theoretical examination that deals with social, artistic and philosophical levels of aesthetic nonconformity amidst globally understandable clichés, the visual worlds of German cities are particularly in focus. Thus, the reader can, on the one hand, place the graphics already known to him in a common context with the artistic concepts of the creators, but also discover corners of his city that were previously hidden from him. The book is also a guide to systematic expeditions in German cities. As expected, the largest part of the image exhibits shown in the book are from Berlin, but Hamburg, Dresden, Munich, Halle and Leipzig are also represented with extensive depictions. The organisational principle underlying the book is based on artistic concepts, but also on the places of artistic engagement and self-realisation. This is exciting and offers the interested reader enough railings to hold on to. The authors avoid their own positions, as long as they would exceed the aesthetic appreciation. The reader may therefore decide for himself which interpretation of the displayed objects he personally turns to: Street Art or Playground.\"\u003cbr\u003e\u003ca href=\"http:\/\/www.crossover-agm.de\"\u003ewww.crossover-agm.de\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\"... more than just a picture book. Many well-known artists give insights into their motivation and practical work for the first time here. Heinicke and Krause encourage us to open our eyes again on our next walk through the city and to perceive the colourful diversity that often reveals itself in small sections.\" sub culture\u003cbr\u003e\"This equally appealing publication impresses with brilliant texts on street art and its design techniques, long interviews with well-known artists, as well as programmatic statements and experience reports.\"\u003cbr\u003ePage\u003c\/p\u003e\n\u003cp\u003e\"With Daniela Krause and Christian Heinicke from KM4042, we are dealing, so to speak, with creative gourmets of the street art scene. They not only understand how to enjoy themselves and share what they perceive with their closest circle of friends, they also enjoy and prepare it in order to be able to transport and convey it through media.Independently, in the truest sense of the word, this book is now able to fill a gaping void in the current book market. They have realised the consistently 200 pages in a visual rhythm with an overwhelming amount of their own high-quality photographic material. And this does not let the reader out of its spell until the last page. The photographs, the graphics created from the photographic material and the texts lead the reader almost somnambulistically through all the chapters.The result is a complete work that one enjoys leafing through, immersing oneself in it without noticing, and then enthusiastically passing it on in its opened state, hoping to get it back as soon as possible.After reading it, one is equipped with suggestions and impressions that change one's own everyday perceptions in the urban space or even awaken a desire to participate in the urban action space oneself.\"\u003cbr\u003eFrieder H. Wolfram, Diploma Appraiser\u003c\/p\u003e\n\u003cp\u003e\"I am thrilled. There are great prefaces and introductions to the book and to the respective chapters, which familiarise one with the ideas of the artists and their intentions at a sophisticated (but not pretentious!) level. These are usually astonishingly well thought out and sometimes real manifestos of counterculture with partly revolutionary ideas. The idea of street art is explained and presented: culture jamming, reclaim the streets and all that. There are even image analyses and countless pictures of often truly great art. The different techniques are presented (cut-outs, package stickers, chalk drawings, roll-ons, stencils, etc.) ... A great book about a cool culture. Maybe a few property owners should read it to develop some understanding for street art – but also all the dull taggers who are only interested in ego or fame.\"\u003cbr\u003eDolf in: Trust\u003c\/p\u003e\n\u003cp\u003e\"I can only recommend this book to anyone interested in photography and design. Without ifs or buts, this is one of the best books I've held in my hands in this field. Truly an impressive book, of which I would really wish for a second part!\"\u003cbr\u003eMarkus in: Bezirk 7\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634080125260,"sku":"15907","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_street-art-stadt-als-spielplatz-buch.jpg?v=1788177888"},{"product_id":"p15953_the_flying_revolverblatt_extrablatt_1_april_2019-_gratis_fanzine_gluecifer","title":"The Flying Revolverblatt - Special Edition #1 April 2019 - Free","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003eSpecial edition free with Gluecifer interview in a slick layout and A4 format.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"DIY","offers":[{"title":"Default Title","offer_id":58634083991884,"sku":"15953","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/t_the_flying_revolverblatt_extrablatt_1.jpg?v=1788177917"},{"product_id":"p15954_the-flying-revolverblatt-extrablatt-_2-mai-2019-gratis_fanzine_hellacopters","title":"The Flying Revolverblatt - Special Edition #2 May 2019 - Free","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\u003cp\u003eSpecial edition free with Hellacopters interview in a snazzy layout and A4 format.\u003c\/p\u003e\u003c\/div\u003e\u003c\/div\u003e","brand":"DIY","offers":[{"title":"Default Title","offer_id":58634084942156,"sku":"15954","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/t_the_flying_revolverblatt_extrablatt_2.jpg?v=1788177919"},{"product_id":"p15955_the-flying-revolverblatt-extrablatt-_3-juni-2019-gratis_fanzine_amyl_and_the_sniffers_dead_kittens","title":"The Flying Revolverblatt - Special Edition #3 June 2019 - Free","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003eSpecial edition, free of charge, featuring interviews with `Amyl \u0026amp; The Sniffers` and `Dead Kittens` in a stylish layout and A4 format.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634084974924,"sku":"15955","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/t_the_flying_revolverblatt_extrablatt_3.jpg?v=1788177920"},{"product_id":"p15957_chelseas-choice-magazine-ausgabe-6","title":"Chelsea's Choice Magazine Issue 6 + 7 \"Flexi","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\u003cstrong\u003eTopics in the 6th issue:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eTHE AGGROLITES\u003cbr\u003eBRUTAL BRAVO\u003cbr\u003eSOREX\u003cbr\u003eDIE KASSIERER\u003cbr\u003eRONNIE ROCKET (ex-URINIE, Viennese punk icon...Dirt Shit, etc.)\u003cbr\u003eDAKKA SKANKS\u003cbr\u003eLIFE AFTER HATE Organization\u003cbr\u003eSTRONGBOW\u003cbr\u003eTHE TAKE\u003cbr\u003eAGGRESSIVE ROCKPRODUKTIONEN-Story Part 2\u003cbr\u003eBRIAN DEATT\u003cbr\u003eTHE CLINCH\u003cbr\u003eMINUS HOPE\u003cbr\u003eCIRCLE ONE\u003cbr\u003eand much more.\u003cbr\u003e\u003cbr\u003eIncl. FREE Flexi 7\" by \u003cstrong\u003eVARIOUS ARTISTS\u003c\/strong\u003e!!!!\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58634085204300,"sku":"15957","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_chelseas_choice_magazine_ausgabe_6.jpg?v=1788177921"},{"product_id":"p16193_zap-hardcore-magazin-_153-winter-2019","title":"ZAP Hardcore Magazine #153 Winter 2019","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003eWell, that takes the biscuit! THE ZAP-magazine, which enabled us country bumpkins to survive in the late 80s, early 90s and to get any information at all about hardcore and punk and everything surrounding it. Back then with Martin Büsser (R.I.P.), and now out of nowhere comes #153, editor Moses Arndt. 63 pages in A4 format.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"DIY","offers":[{"title":"Default Title","offer_id":58634095427916,"sku":"16193","price":5.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/t_zap-hardcore-magazin-153.jpg?v=1788178004"},{"product_id":"p16197_vielen-dank-peter-pank-buch-klaus-n-frick","title":"Thank you, Peter Pank - Book (Klaus N. Frick)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eDescription\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eA subcultural journey back in time to 1986. Klaus N. Frick, \"perhaps the best-known and certainly one of the most amusing writers of the German punk scene\" (Flight 13), tells the story of a small-town punk between drinking, hitchhiking, scrounging, demos, and plenty of other crude jokes and stressful situations. Originally published in ZAP, here collected as a book for the first time.\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003chr style='margin: 0px 0px 1.41em; border: 0px currentColor; height: 1px; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: content-box; orphans: 2; widows: 2; background-color: rgb(204, 204, 204); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\"...an equally entertaining and authentic portrayal of the existence and attitude to life of the punk movement in Germany between 1977 and 1986. Well done, a bit crude and also a bit punk in the editing.\"\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eArne Rauscher, in: ekz-informationsdienst (Einkaufszentrale der Bibliotheken)\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003chr style='margin: 0px 0px 1.41em; border: 0px currentColor; height: 1px; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: content-box; orphans: 2; widows: 2; background-color: rgb(204, 204, 204); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“Anyone who wants to know what the confused-naive Swabian punk kid experienced in Germany in the mid-80s should definitely get this. And if I now write that this book is the most important description of punk life in 80s Germany in novel form, that's not praise for an author of this magazine, but my honest opinion. And given the fanzine Enpunkt published by Frick and what the gentleman writes there, it's always interesting to ponder what of Peter Pank's experiences are autobiographical and what is pure fiction...”\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eJoachim Hiller in: OX\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003chr style='margin: 0px 0px 1.41em; border: 0px currentColor; height: 1px; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: content-box; orphans: 2; widows: 2; background-color: rgb(204, 204, 204); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“I am an author of several books myself, and I could perfectly recognize myself and my past here. A lot has already been written on this topic, not always so intoxicating and mostly condescending. This was not the case here at all; all in all, a great book that I gladly recommend.”\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eChina from Berlin in: amazon.de\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003chr style='margin: 0px 0px 1.41em; border: 0px currentColor; height: 1px; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: content-box; orphans: 2; widows: 2; background-color: rgb(204, 204, 204); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“If you want to know what the 80s were really like, you should read this and you'll be close.”\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eCollaps, in: Scumfuck Tradition No. 40.\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003chr style='margin: 0px 0px 1.41em; border: 0px currentColor; height: 1px; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: content-box; orphans: 2; widows: 2; background-color: rgb(204, 204, 204); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“I've really been waiting a long time for this, finally the awesome stories from ZAP are compiled into a book. Ultra-ingenious and absolutely worth reading, though a bit short. An hour and a half in the bathtub and you're done. Never has bathing been as nice as it is today.”\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eHarley in: Pankerknacker No. 3\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634095526220,"sku":"16197","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_vielen-dank-peter-pank-buch.jpg?v=1788178006"},{"product_id":"p16201_skinheads-gothics-rockabillies-rock-n-roller-buch","title":"Skinheads - Gothics - Rockabillies - Rock 'n' Rollers - Book","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003e\u003cstrong\u003eSusanne El-Nawab:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 style='margin: 0px 0px 0.54em; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\u003cstrong\u003eSkinheads – Goths – Rockabillies\u003c\/strong\u003e\u003c\/h3\u003e\n\u003ch3 style='margin: 0px 0px 0.54em; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\u003cstrong\u003eViolence, Death \u0026amp; Rock'n'Roll\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003ePublished: September 2007, 375 pages, hardcover, with 98 illustrations\u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eDescription\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eSkinheads wear bald heads, heavy boots, and bomber jackets. Goths wear deathly pale make-up and dress in bizarre black. With Elvis quiffs, tattoos, and \"hoodlum\" poses, Rockabillies show their fondness for the 1950s. Why do they do this? Violence and (self-) destructiveness become an element of self-staging style in many youth subcultures. The author examines the style and habitus of young people in subcultures and brings them out of the shadow of media stereotypes. In detailed portraits, the interviewed scene members talk about their lives, their political attitudes, gender roles, death, and violence. El-Nawab does not glamorize, demonize, or downplay; instead, she looks closely. This book concisely describes, photographically documents, and analyzes to provide an exemplary understanding from the internal perspective of young people.\nAlready published by the author: Rockabillies – Rock’n’Rollers – Psychobillies. Portrait of a Subculture. Archive of Youth Cultures 2005.\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eThe author:\nSusanne El-Nawab, Dr. phil., Social Psychologist M.A., was born in 1973. She is a freelance author (including Skinheads. Aesthetics and Violence, Brandes \u0026amp; Apsel 2001, Rockabillies – Rock’n’Rollers – Psychobillies. Portrait of a Subculture. Archive of Youth Cultures 2005), photographer, and artist. After studying social psychology, sociology, and political science, she was a research assistant to Prof. Dr. Barbara Duden at the Institute of Sociology at the University of Hanover. As a scholarship holder at the University of Hanover, she wrote her dissertation on skinheads, goths, and rockabillies. She currently works in the editorial department of a specialist publisher in Hanover.\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“The author begins by thoroughly outlining the research landscape and her own methodological approach. The three main chapters thrive on on-site research through interviews and participant observation. The findings are consolidated in the depiction of the history, stylistic elements, gender relations, and tendency towards right-wing leanings within the three subcultures. – Currently the most profound and illuminating analysis.”\nUwe-Friedrich Obsen in: ekz-Informationsdienst\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“It's always gratifying to find scientifically sound contributions on youth cultures that are also fluent to read and not encrusted in academic insider jargon, especially amidst the mass of journalistic rubbish published on the subject. The author's field research is vivid and informative. The fact that a scene like the Rockabillies, which is otherwise neglected in relevant literature, is examined, is a bonus. The visual material is artistically noteworthy.”\nRoman Schweidlenka in: Contraste\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“Susanne El-Nawab provides profound insights into life worlds that usually remain closed to outsiders. Without voyeurism or sensationalism, she describes the young people's views of the world, thereby exposing common media portrayals of these scenes as undifferentiated clichés.”\nKunststoff\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634095558988,"sku":"16201","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_rockabillies-buch.jpg?v=1788178008"},{"product_id":"p16202_liebe-street-art-in-berlin-buch-claudia-herrmann","title":"Love - Street Art in Berlin - Book (Claudia Herrmann)","description":"\u003c!-- Require BlockEditor assets --\u003e\n\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column full\"\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eDescription\u003c\/h2\u003e\n\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eStreet art accompanies us everywhere we go through the city streets with its screams, its whispers and its messages, always finding us. Street art makes the streets speak, it is the color in the streets, it offers us messages, sometimes coded, sometimes clear. Street art is impulsive, mysterious and risky. Street art is witty, vulgar, provocative and beautiful, like Berlin.\u003c\/p\u003e\n\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eBut street art is also the language of migrants, an expression of protest, of the search for home, of frustration and displacement, of arrival or belonging. Berlin is a place of longing for newcomers who bring illusions and dreams with them. People's feelings find their way in many different ways. With my camera, I want to capture the sketches, paintings and graffiti left on house walls, bridges, subways and streets. There are fleeting moments among them, but also those that last for years. There are personal messages of love intended for a specific person, but also those that are for all of us.\u003c\/p\u003e\n\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eI have been photographing the city for years. Eight years ago, on a walk, I found the first motif of the \"Love\" series: \"Love hurts\" was written on the wall of a decaying house. It struck me how many of the graffiti, drawings and other artworks in public spaces revolve around the theme of love. The love for man and woman, the wounds it inflicts on us, sex, grief, the love for a homeland, for Berlin. Over the years, several hundred photographs were taken. Many of the motifs have already fallen victim to demolition, renovation or simply the rain, and their beauty and transience are only preserved in these photographs.\u003c\/p\u003e\n\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eThe book aims to encourage people to walk through Berlin with open eyes. Industrial sites become event venues, occupied houses become expensive condominiums, and contested projects emerge from the no man's land of the Berlin Wall. The city lives and loves - street art intervenes in these processes. The book invites you on a journey through the center of Berlin.\" (From the foreword)\u003c\/p\u003e\n\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eClaudia Herrmann has lived in Berlin as a Mexican for ten years. She studied photography in Barcelona and in recent years has focused her work on documenting street art in Berlin. There will also be exhibitions in various locations in Berlin to accompany the book.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634095591756,"sku":"16202","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_liebe-streetart-in-berlin_buch.jpg?v=1788178009"},{"product_id":"p16203_punk-buch-hollow-skai","title":"Punk - Book (Hollow Skai)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\u003ch3 style='margin: 0px 0px 0.54em; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eHollow Skai:\u003cbr\u003ePUNK\u003cbr\u003eAn Attempt at the Artistic Realization of a New Attitude to Life\u003c\/h3\u003e\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eJuly 2008, 272 pages, 168 illustrations, hardcover\u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eDescription\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eMaster's thesis at the German Faculty of the University of Hanover\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“Anyone interested in punk, whether for academic reasons or in search of authentic orientation, will find the true roots of the punk movement in (West) Germany in the late seventies here. You don't have to be a punk to like this book.”\u003cbr\u003eEnrico Damme, in: Corax\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“You don't have to be a punk and you don't have to have ever considered yourself part of this subculture to like this book. It offers an impressive insight into the early days of a scene that, after thirty years, has transformed into an integral part of the subculture cosmos. Hollow Skai's language back then wasn't tied to scientific pomposity; rather, he told more than he described. Thus, his book becomes an entertaining journey through time into the late 70s and early 80s, swiftly written and interestingly illustrated in an impressively well-designed hardcover edition.”\u003cbr\u003eKlaus N. Frick in: \u003ca href=\"http:\/\/www.perry-rhodan.net\/\"\u003ewww.perry-rhodan.net\u003c\/a\u003e\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003ePunk was once more than just music, more than just business, more than the uniformed expression of a new youth culture. Therefore, this is not about explaining the punk phenomenon, but rather this \"scientific\/literary curiosity\" (Augsburger Allgemeine), first published in 1981 and supplemented with a few \"bonus tracks,\" sees itself as both a manifesto against the monarchy of everyday life and a quasi-eulogy to the great Nordstadt hoax.\u003cbr\u003e\"Hollow Skai is considered one of the very few people who have succeeded in carving out a niche from the monopoly of multinational media corporations and their industrially standardized cultural products, where the 'new attitude to life' can find its cultural expression.\"\u003cbr\u003eMichael O. R. Kröher\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“Like so many bespectacled punk rockers after him, Hollow Skai probably wanted to have fun at least once during his studies and therefore made his life's passion the subject of his master's thesis. But unlike other nitwits, he didn't approach the matter with the seriousness required, but instead thumbed his nose at academia. Respect! What appears to outsiders (professors) to be quite serious, because 'Punk' is well-founded and plausibly written in terms of content, is 'total mockery' (Normahl) for insiders, because Hollow Skai allowed himself to include far-fetched gimmicks. For example, he quotes himself (from his No-Fun-Zine) or friends (to whom he simply put words in their mouths), solely for the reason that he could list them in his bibliography.\u003cbr\u003eDid Hollow Skai, incidentally the founder of the venerable No-Fun label, betray punk rock in Germany in its very early years? No, he rather erected a monument to it, which hopefully will leave as many people puzzled as they once were by the Berlin Wall. The high number of pages for a master's thesis is relativized by the fact that the book contains both the pure text and a faithful reproduction with a very stylish punk layout of the master's thesis. Punk rockers, of course, read the almost comic-like original, students read the plain text. In terms of content, the individual chapters deal with the origins and meaning of punk, the ideology behind it, punk fanzines, the connections between boredom and destruction in punk, gender roles, punk fashion and its background, and so on. As a bonus, at the end of the book there are a few 'bonus tracks' that Hollow Skai published about punk over the later years. All of this includes many photos, collages, and other stuff. As a result, this book can bring a lot of joy to those with sufficient mental maturity, and it should.”\u003cbr\u003eObnoxious in: Punkrock!\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eFrom Real-Time – Hollow Skai's Punk Analysis from 1980 in a New Edition\u003cbr\u003eBy Martin Büsser (in Junge Welt of 11.11.08)\u003cbr\u003eMeanwhile, there are numerous books about punk; the history has been thoroughly explored. The punks of yesteryear are now over forty and gladly invest a Euro or two to reaffirm the significance of their youth. The problem with these books, however, is that they are written in retrospect. They no longer have to convey the cultural and musical-historical importance of punk to readers, as this is no longer doubted by anyone. This was different in 1980, when Hollow Skai published his thesis in German Studies on the topic of punk. In Germany, punk was anything but dead at that time; rather, it was just beginning to rage properly and divide youth – into punks, preppies, eco-activists, and old rockers. Hollow Skai himself was actively involved in the rapidly spreading scene and had founded the \"No Fun\" label in Hanover, where records by Hans-a-Plast and Rotzkotz, among others, were released. Therefore, there can be no talk of a scientifically detached view of punk in his master's thesis. Large parts of his work are not only visually designed like a punk fanzine but also written in a fanzine style, full of subjective declarations that one is actually drilled in the first semester to avoid in an academic paper. But Hollow Skai goes on a collision course from the beginning: \"Punk makes contradictions transparent and alive. But: does it matter? Can this be the purpose of a scientific (with all due respect: puke... gag...) work?\"\u003cbr\u003eread more:\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e“We don’t need books about punk.\u003cbr\u003eWe need punk books.\u003cbr\u003eTo put it briefly: Hollow Skai’s \"Punk – An Attempt at the Artistic Realization of a New Attitude to Life\" is not a book about punk. It is punk.\u003cbr\u003eSo, if you're looking for nice anecdotes from the wild times back then to tell at the next indie regulars' table, you won't find anything here. No lists of band members, no discographies of the most important records, no glossy photos. No, that's not a shame.\u003cbr\u003eBecause this is, for once, not one of those publications that outdo each other in portraying the \"good old days\" as even more heroic, authentic, sometimes even more political, while simultaneously trying to show today's youth their consumption-ridden and unmotivated existence. The fact that \"Punk\" doesn't even come close to the \"I used to be a punk myself and now I'll show today's boys and girls how things were for us\" books is primarily due to its genesis. The story goes a little bit like this: German studies student Holger Poscich faced the great problem of every student in the winter of 1979\/80: his studies were nearing their end, and a final thesis was needed. Poscich – already clearly influenced by the still young punk culture – decided to bring together the incompatible: a scientific work on punk using punk methods. For him, as a fanzine editor, this meant cutting, scribbling, and of course, copying. The result was a master's thesis that contained significantly more punk than science; no matter, Poscich passed with a \"good\" (tip for the next life: study German!), founded a record label (No Fun Records, which released such illustrious bands as Hans-a-Plast, Rotzkotz, Bärchen und die Milchbubis, or Mythen in Tüten), worked for the Hanover city magazine Schädelspalter, later as a culture editor for stern, and and and: Happy End.\u003cbr\u003ePoscich's or Skai's \"scientific\/literary curiosity\" (Augsburger Allgemeine) was already published in 1981 by Sounds-Verlag; now the Archiv der Jugendkulturen in Berlin has reissued it in a high-quality edition. In addition to the original manuscript as a facsimile, this volume also contains the complete text in an edited version, which greatly facilitates readability (Musik-Express certified Skai's original version of \"Punk\" as having the \"highest error rate since the invention of alphabetic writing\" and is almost certainly correct in this).\u003cbr\u003eCertainly, one doesn't (anymore) encounter any major novelties in this foundational work on punk culture from 1979. However, even today – 27 years after its first appearance – there is hardly anything to read that captures the punk attitude to life (music, fashion, art, politics) in this form so precisely. In this sense, \"Punk – An Attempt at the Artistic Realization of a New Attitude to Life\" is not a scientific essay that can explain this or that about punk. This book is a historical document and a manifesto. It is punk, and that in its original sense, that it is better to do things than to talk endlessly.”\u003cbr\u003eTobias Schärtl in: www.zyva.de\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eIt's amazing how many complex topics are still debated today – e.g., sexism in the scene – that were already an issue back then. Primarily, the work is very exciting to read as a historical document. How does a Germanist and political scientist write (and reflect) about punk in 1979, at a time when he himself is part of the movement? All in all, a beautiful historical document for a punk-enthusiastic (and interested in its background) readership.\u003cbr\u003eMaurice Schuhmann in: http:\/\/cultureglobe.de\/\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Hirnkost","offers":[{"title":"Default Title","offer_id":58634095657292,"sku":"16203","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_punk-buch.jpg?v=1788178009"},{"product_id":"p16205_more-than-fashion-buch-tim-hackemack","title":"More Than Fashion Book (Tim Hackemack)","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\u003cdiv class=\"column full\"\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e\n\u003ch3 style='margin: 0px 0px 0.54em; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eTim Hackemack:\u003c\/h3\u003e\n\u003ch3 style='margin: 0px 0px 0.54em; color: rgb(51, 51, 51); text-transform: none; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eMore than fashion\u003c\/h3\u003e\n\u003cdiv style='color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e210 x 280 mm\u003c\/div\u003e\n\u003cdiv style='color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003ePages: 432 pages, hardcover\u003c\/div\u003e\n\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003e \u003c\/p\u003e\n\u003ch2 style='margin: 0px 0px 1em; color: rgb(51, 51, 51); text-transform: none; line-height: 1.214; text-indent: 0px; letter-spacing: normal; clear: both; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: 1.61em; font-style: normal; font-weight: 300; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eDescription\u003c\/h2\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eFirst of all: This is not a crappy fashion book. Fashion is fleeting, usually not lasting longer than one summer. Even the most uninspired punk hangers-on usually lasted longer than one fashion period. Conversely, I want to say: Anyone who considers punk to be fashion has missed the most important point.\u003c\/p\u003e\n\u003cp style='margin: 0px 0px 1.41em; color: rgb(109, 109, 109); text-transform: none; text-indent: 0px; letter-spacing: normal; font-family: \"Source Sans Pro\", HelveticaNeue-Light, \"Helvetica Neue Light\", \"Helvetica Neue\", Helvetica, Arial, \"Lucida Grande\", sans-serif; font-size: medium; font-style: normal; font-weight: 400; word-spacing: 0px; white-space: normal; box-sizing: border-box; orphans: 2; widows: 2; background-color: rgb(255, 255, 255); font-variant-ligatures: normal; font-variant-caps: normal; -webkit-text-stroke-width: 0px; text-decoration-style: initial; text-decoration-color: initial;'\u003eTim Hackemack, born in 1979, grew up in rural Westphalia. He has released five albums with various bands. In addition, he was a concert promoter and wrote and photographed for various fanzines and other magazines. Since 2012, he has been working as a freelance photographer and journalist.\u003cbr\u003eHis most recent publication with Hirnkost Verlag was: Yesterday's Kids.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634096279884,"sku":"16205","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_morethanfashion_cover_buch.jpg?v=1788178011"},{"product_id":"p16239_the-flying-revolverblatt-extrablatt-_4-mit-dabei_-oh-sees-_-sleaford-mods-aug-2019-gratis","title":"The Flying Revolverblatt - Special Edition #4 (featuring: Oh Sees + Sleaford Mods) Aug.2019 Free","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column third\"\u003e\n\n\u003cp\u003eIssue 4 with OH SEES and Sleaford Mods. As always, included for free. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"column two-third\"\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634099196236,"sku":"16239","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_tfrb-extrablatt4_oh_sees_vs_sleaford_mods-2.jpg?v=1788178018"},{"product_id":"p16240_the-flying-revolverblatt-extrablatt-_5-mit-dabei_-king-kan-_-blood-red-shoes-okt-2019-gratis","title":"The Flying Revolverblatt - Special Edition #5 (also featuring: King Kan + Blood Red Shoes) Oct. 2019 Free","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column third\"\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"column two-third\"\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634099818828,"sku":"16240","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_flying-revolverblat-5-1.jpg?v=1788178019"},{"product_id":"p16241_the-flying-revolverblatt-extrablatt-_6-suzi-quatro-dez-2019-gratis","title":"The Flying Revolverblatt - Special Edition #6 (Suzi Quatro) Dec.2019 Free","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column third\"\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"column two-third\"\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steeltown Records","offers":[{"title":"Default Title","offer_id":58634100277580,"sku":"16241","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_flying-revolverblatt6-1.jpg?v=1788178020"},{"product_id":"p16364_wax-_-violence-u-s-oi-_-streetpunk-discography-book","title":"Wax \u0026 Violence - U.S. Oi! \/ Streetpunk Discography - Book","description":"\u003c!-- Require BlockEditor assets --\u003e\u003cdiv class=\"row clearfix sf-cb\"\u003e\n\n\u003cdiv class=\"column third\"\u003e\n\n\u003cp\u003eThe book about the music: mandatory reading for all U.S. Oi! Streetpunk Lovers \u0026amp; Collectors, essential for record collectors. The discographical reference work (cover illustration, print run, band story, review, etc.) on the American scene, including: AGNOSTIC FRONT, THE BRUISERS, DROPKICK MURPHYS, BONECRUSHER, THE BURNT, THE BODIES, BLANKS 77, BOOT PARTY, THE CASUALTIES, BATTLE RUINS, ALMIGHTY LUMBERJACKS OF DEATH, HAMMER \u0026amp; THE NAILS, BOVVER 96, DEAD HEROS, ANTI-HEROS, BLOOD FOR BLOOD, BRASSKNUCKLE BOYS, THE CHOICE, CLIT 45, BROKEN HEROES, GC 5, HUDSON FALCONS, INFILTRATORS, KRAYS, CHANNEL 3, THE BELTONES, BLACK MARKET BABY, HEADWOUND, THE FORGOTTEN, NY-RELIX, DEVOTCHKAS, BOILS, BOVVER WONDERLAND, THE TEMPLARS, ADOLF \u0026amp; THE PISS ARTISTS, and many more.\u003c\/p\u003e\n\n\u003cp\u003eWhen it all started...The first three issues of WAX \u0026amp; VIOLENCE. It started 20 years ago, the latest number came in 2008. What is WAX \u0026amp; VIOLENCE? The first and so far only printed discography about U.S. Oi!, Streetpunk in small format (5\"-7\"). All facts, all pictures. Important for collectors, interesting for fans.\u003cbr\u003eThe internet came, the open questions remained: How many of them are there? How do the pressings differ? Today as actual as then. Here is the first book of them. \u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"column two-third\"\u003e \u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Steel Print","offers":[{"title":"Default Title","offer_id":58634117448012,"sku":"16364","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0790\/4034\/8492\/files\/l_wax_and_violence_buch_book.jpg?v=1788178051"},{"product_id":"p20501_chelseas-choice-magazine-ausgabe-7-inkl-flexi","title":"Chelsea's Choice Magazine Issue 7 incl. 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